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Vol 163 No 1959 Summer 2022 (On Sale 15th June 2022)

In memoriam.

Letter

Articles -

Gade in England

Sam Hayden's material mysteries

Thoughts on reconstructing Ward's verse anthems

Love requiem 3: Resurgam and beyond

The Handelian Fourth

Book reviews

Judith Chernaik -

Three in one

The Bach cello suites: a companion by Steven Isserlis

Sei solo: Symbolum? The theology of J.S. Bach's solo violin works by Benjamin Shute

The complete songs of Hugo Wolf: life, letters, Lieder by Richard Stokes

Arnold Whittall

Spatial awareness

Alien listening: Voyager's Golden Record and misic from the earth by Daniel K.L. Chua & Alexander REhding

Looking within: the music of John Palmer: dialogues and essays edited by Sunny Knable

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Vol 163 No 1958 Spring 2022 (On Sale 15th March 2022)

ARTICLES

Schubert's Mozart year

Content versus colour: Sibelius's revision of The Oceanides

On riding a bicycle

The trio sonatas of Jean-Francois Dandrieu (1681/82-1738)

A note on Pauline Douglas Townsend

Oboe parts for Messiah and Handel's performances

Publishing music by subscription in India: 1789 to 1811

Beethoven's Fur Elise and its literary background

REVIEW ARTICLE

Reference points

The Cambridge Stravinsky encyclopedia edited by Edward Campbell & Peter O'Hagan

BOOK REVIEW

Fathomless fable

The consolations of History: themes of progress and potential in Richard Wagner's Gotterdammerung

by Alexander H. Shapiro

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Vol 162 No 1957 Winter 2021 (On Sale 15th December 2021)

ARTICLES

John Sheppard's Westminster family

Mass movements: James Clarke and the string quartet in 2020

Shubert and Bach

Vaughan Williams in Modern Music

Love requiem 2: raising Resurgam

BOOK REVIEWS

More than Merimee

Djamileh by Georges Bizet

Bizet in Italy: letters and journals, 1857-1860 edited & translated by Hugh Macdonald

Bizet's Carmen uncovered by Richard Langham Smith

Madame & monsieur

Mel Bonis (1858-1937): parcours d'une compositrice de la Belle Epoque edited by Etienne Jardin

Andre Caplet: compositeur et chef d'orchestre edited by Denis Herlin & Cecile Quesney

Mingled modernity

Stravinsky in context edited by Graham Griffiths

Minimally modern

Debating English Music in the long nineteenth century by John Ling

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Vol 162 No 1956 Autumn 2021 (On Sale 15th September 2021)

Couperin's Pieces de Violes

Finger-strengthening and the 19th-century piano

Shubert & Bach I

Tragedy & damnation in Berloiz & Liszt

Schoenberg & the six Oscars

Eric Ball I

Contermporary piano: Ferneyhough and Hayden

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Vol 162 No 1955 Summer 2021 (On Sale 15th June 2021)

Articles

Julian Rushton: ‘Variations op.36 (‘Enigma’): thoughts in season’

Katalin Komlós: ‘Tolstoy’s encounter with the harpsichord: the visits of Wanda Landowska to Yasnaya Polyana’

H. Diack Johnstone: ‘John Blathwayt: a musical British teenager on the Grand Tour’

Simon D.I. Fleming: ‘Dances and national airs in domestic music manuscripts: two new sources from the 1820s’

Brian Newbould: ‘Schubert, Brahms and the sarabande’

Arnold Whittall: ‘ “The best response”? Stravinsky and modernist aesthetics’

Bojan Bujic: ‘An Alban Berg manuscript at Oxford: a postscript after 75 years’

Robin Maconie: ‘Boulez: “...éventuellement...” ’s

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Vol 162 No 1954 Spring 2021 (On Sale 15th March 2021)

Ivan Moody on music as theology

Ronald Broude on the interpretive edition

Francis Knights on Giles Farnaby

Michael Talbot on Diogenio Bigaglia

Brian Newbould on rhythm in classical music

Hugh Macdonald on early Beethoven

John Arthur on Lo Sposo Deluso

Arnold Whittall on Cage, Hanslick

Schenker, Berg and Anderson

and Andrew Thomson on Prokofiev’s operas.

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Vol 161 No 1953 Winter 2020 (On Sale 10th December 2020)

Hugh Macdonald: ‘From the Wiener Wochenblatt, 16 October 1802: “Ludwig van Beethoven”’

Klaus Martin Kopitz: ‘Beethoven’s “Elise” Elisabeth Röckel: a forgotten love story and a famous piano piece’

Jos van der Zanden: ‘Republican Beethoven: fact and fiction’

Barbara Barry: ‘Mind the gap: pitch connectors and sectional disjunction in Schubert’s late instrumental music’

Rodney Stenning Edgecombe: ‘Music and the word: some thoughts on the ingested “melodrama” of Brahms’s First Symphony’

Reviews

by Andrew Thomson and Arnold Whittall of

Roger Nichols: Francis Poulenc: a biography
Graham Johnson: Poulenc: the life in the songs
François Lesure: Claude Debussy: a critical biography
Julian Johnson: After Debussy: music, language, and the margins of philosophy

Jean-Louis Leleu: Ces mystérieux accords parfaits’: trois études sur la musique d’Arnold Schönberg

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