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Vol 158 No 1939 Summer 2017 (On Sale 10th June 2017)

Articles

Peter Phillips: ‘Eton encounters: reflections on the Choirbook’

Donald Burrows: ‘Who was Handel’s tenor soloist in 1751?’

Ian Bartlett: ‘Blessed is he: an overlooked early anthem by William Boyce’

Arnold Whittall: ‘Questioning the sound: the music of Christian Mason’

Reviews

by Andrew Thomson, David Wright, Arnold Whittall and David Cormack of

John Carnelley: George Smart and nineteenth-century concert life
Philip Rupprecht: British musical modernism: the Manchester Group and their contemporaries
Mark Hutchinson: Coherence in new music: experience, aesthetics, analysis

Peter Edwards: György Ligeti’s Le Grand Macabre: postmodernism, musico-dramatic form and the grotesque

Rose Dodd, ed.: Perspectives on the music of Christopher Fox: straight lines in broken times

Edward Venn: Thomas Adès: Asyla

Oswald Georg Bauer: Die Geschichte der Bayreuther Festspiele

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Vol 158 No 1938 Spring 2017 (On Sale 10th March 2017)

Beethovens's op.131 - Some varieties of pastiche

Secular Byrd - Early Music Performance

Madame Zernitz - Britten's Violing Concerto

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Vol 157 No 1937 Winter 2016 (On Sale 10th December 2016)

Articles

Warwick Lister: ‘Dragonetti, Viotti and those superb sextets of Mozart’

Kris Steyaert: ‘Mozart with a French twist: “Mademoiselle Jeunehomme” revisited’

Mark S. Zimmer: ‘Liebe: the discovery and identification of a Beethoven song lost since 1822’

Andrew Thomson: ‘Berlioz and Byron in the shadow of Napoléon’s downfall: a new look at Harold en Italie’

Arnold Whittall: ‘From earlier to later Wagner: conflict and transformation’

Philippa Tudor: ‘The composer and the critic: Gustav Holst and Edwin Evans’

Veronica Mary Franke: ‘Klatzow reinvented: from modernist, non-tonal activist to tonal art-music champion’

Ömer Egecioglu: ‘A note on Heifetz’s arrangement of Rameau’s Rigaudon’

Reviews

by Patricia Howard and Geoffrey Álvarez of

Tim Carter: Understanding Italian opera
David Kimbell: Handel on the stage
Joseph Vella Bondin: The great Maltese composers: historical contexts, lives and works

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Vol 157 No 1936 Autumn 2016 (On Sale 10th September 2016)

Articles

Arnold Whittall: ‘From post-tonal to postmodern? Two string quartets by Joseph Phibbs

Robin Maconie: ‘Stockhausen’sElektronische Studien I and II’

Diego Malquori: ‘Music beyond silence: a reading of Arvo Pärt’s Credo’

Mary Cyr: ‘Marin Marais, the basse-continueand a “different manner” of composing for the viol’

Luke Dollman: ‘A gulf of difference: conducting pedagogues Ilya Musin and Jorma Panula’

Allan W. Atlas: ‘Vaughan Williams in the New York crossfire: Olin and Harold v. Virgil and Paul’

Joseph Arthur Mann: ‘Nineteenth-century music and the case of James William Davison’

Reviews

by Peter Phillips, Patricia Howard, Arnold Whittall and Andrew Thomson of

Matthias Range: British royal and state funerals: music and ceremonial since Elizabeth I

Paul F. Rice: Venanzio Rauzzini in Britain: castrato, composer, and cultural leader

Hilda Meldrum Brown: The quest for the Gesamtkunstwerk & Richard Wagner

Peter Wiegold & Ghislaine Kenyon, edd.: Beyond Britten: the composer and the community

Eric Saylor & Christopher M. Scheer, edd.: The sea in the British musical imagination

MJ Grant & Imke Misch, edd.: The musical legacy of Karlheinz Stockhausen: looking back and forward

Caroline Potter: Erik Satie: a Parisian composer and his world

Peter Dickinson: Words and music

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Vol 157 No 1935 Summer 2016 (On Sale 10th June 2016)

Articles

Arnold Whittall: ‘In memoriam Sir Peter Maxwell Davies’
David Ponsford and Andrew Thomson: ‘In memoriam Peter Williams’
David Humphreys: : ‘Why did Tallis compose the Missa Puer nobis natus est?’
Alon Schab: ‘Dowland’s Lachrimae: a passionate interpretation’
Steven Plank: ‘ “See, even Night herself is here”: night, Purcell and evocations of James II’
Simon Fleming: ‘Avison’s op.1 trio sonatas and the influence of Corelli’
Rodney Stenning Edgecombe: ‘Figaro’s aria di sortita and Il barbiere di Siviglia ’
Olga Baird: ‘Ignaz Pleyel and Ludwig-Wilhelm Tepper de Ferguson: the mystery of the“Twelve German Songs” ’
Lucas Wong: ‘Humour in late Debussy: multiple perspectives onDouze études’
Godwin Sadoh: ‘Cross-cultural expressions in the music of Joshua Uzoigwe’

Book reviews

by Arnold Whittall, Chris Walton Andrew Thomson and Gary O’Shea of

Andrew Palmer: Encounters with British composers
John Palmer: Conversations
Arnold Whittall: The Wagner style: close readings and critical perspectives
Lewis & Susan Foreman, edd.: Felix Aprahamian: diaries and selected writings on music

Kiril Tomoff: Virtuosi abroad: Soviet music and imperial competition during the early Cold War, 1945–1958

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Vol 157 No 1934 Spring 2016 (On Sale 10th March 2016)

Arnold Whittall: ‘In memoriam Pierre Boulez’

Peter Williams: ‘Another book on JS Bach?’
Chris Walton: ‘Mad mothers, fractious fathers and fractured cowbells: Richard Strauss reconsidered’
Carmine Miranda: ‘Decoding the Schumann Cello Concerto’
Judith Chernaik: ‘Schumann and Chopin: from Carnaval toKreisleriana’
Leo Black: ‘Soul states: Schumann’s Four Fugues op.72’
Olive Baldwin & Thelma Wilson: ‘John Arnold, Philo-Musicae of Great Warley: an 18th-century musical enthusiast’

Book reviews

by Arnold Whittall, Andrew Thomson, Patricia Howardand Peter Williams of

Fabian Huss: The music of Frank Bridge
Paul Watt & Anne-Marie Forbes, edd.: Joseph Holbrooke: composer, critic, and musical patriot
Kimberley Francis: Teaching Stravinsky: Nadia Boulanger and the consecration of a modernist icon
Jonathan Cross: Igor Stravinsky
Simon P. Keefe, ed.: Mozart studies 2
Andrew Parrott: Composers’ intentions: lost traditions of musical performance

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The Musical Times - Back Issues

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