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Vol 159 No 1944 Autumn 2018 (On Sale 10th September 2018)

Performer's Perspectives on Josquin's Masses

Judith Chernaik on Clara and Robert Schumann
Andrew Thomson on Busoni
Arnold Whittall on Stravinsky, Boulanger, Copland and Hindemith

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Vol 159 No 1943 Summer 2018 (On Sale 10th June 2018)

Skempton & Finnissy
Howells & Magdalen
Edward Clark & music
VW in NY: 3 glimpses
More on Fort Wayne
Peter Maxwell Davies and Randolph Stow
'The Land Without Music': 18th-century perspectives
James Wilson: an Anglo-Irish composer

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Vol 159 No 1942 Spring 2018 (On Sale 10th March 2018)

Arnold Whittall: ‘Michael Tippett and the model musical citizen’
John Harley: ‘William Forster discovered’
Eric L. Altschuler: ‘A whole-tone scale and a “mirror” repeat in Bach’s partitas and sonatas for solo violin’
Katalin Komlós: ‘Tonus primus in Haydn’s instrumental music’
Barbara Barry: ‘Spiral time and the paradigm of persuasion: recontextualising Beethoven’s String Quartet op.127’
Olga Baird: ‘Josef Woelfl in Warsaw: his Polish patrons, pupils, addressees and friends’
Diego Malquori: ‘Form, dissonance and life in Schoenberg’s expressionist music’

Reviews

by Andrew Thomson, Arnold Whittall and Patricia Howard of

Paul Watt: Ernest Newman: a critical biography
Vicki P. Stroeher & Justin Vickers, edd.: Benjamin Britten studies: essays on an inexplicit art
David Forrest, Quinn Patrick Ankrum, Stacey Jocoy & Emily Ahrens Yates, edd.: Essays on Benjamin Britten from a centenary symposium
Eric Saylor: English pastoral music: from arcadia to utopia, 1900–1955
Helen Southworth: ‘Fresca’: a life in the making: a biographer’s quest for a forgotten Bloomsbury polymath
RJ Arnold: Musical debate and political culture in France 1700–1830

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Vol 158 No 1941 Winter 2017 (On Sale 10th December 2017)

Articles

Stephen Arthur Allen: ‘Symphony within: rehearing Holst’s A Moorside Suite’
David Nelson: ‘On visiting Roberto Gerhard in 1962 and 1965, and playing his Capriccio for solo flute’
Mary Cyr: ‘Carmontelle’s portraits of 18th-century musicians’
Beverly Jerold: ‘Performance conditions, standards and Bach’s chorus’
Brian Chapman: ‘Carl Linnaeus, Philip Miller and the librettist of Handel’s Solomon’
Katharina Uhde: ‘Rediscovering Joseph Joachim’s “Hungarian” and “Irish” [“Scottish”] fantasias’

Reviews

by Arnold Whittall, Emanuel Overbeeke and Andrew Thomson of

Severine Neff, Maureen Carr & Gretchen Horlacher, edd.: The Rite of Spring at 100
Donald G. Traut: Stravinsky’s ‘great passacaglia’: recurring elements in the Concerto for Piano and Wind Instruments
Peter O’Hagan: Pierre Boulez and the piano: a study in style and technique
Edward Campbell & Peter O’Hagan, edd.: Pierre Boulez studies
Martin Zenck: Pierre Boulez: die Partitur der Geste und das Theater der avant-garde
Christian Wolff: Occasional pieces: writings and interviews, 1952–2013
Jennie Gottschalk: Experimental music since 1970
Gordon Mumma: Cybersonic arts: adventures in American new music

Kelly St. Pierre: Bedřich Smetana: myth, music, and propaganda

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Vol 158 No 1940 Autumn 2017 (On Sale 10th September 2017)

Alison Garnham: ‘The first international concert season of the European Broadcasting Union’

Tish Kennedy Davenport: ‘Fridrich Bruk at 80: programmatic narratives and Jewish folk influences in Symphonies 3, 10 and 11’

Patricia Howard: ‘Post mortem: new evidence on the location of Guadagni’s tomb’

Barry Cooper: ‘The early copy of Beethoven’s Allegretto in B minor for string quartet’

Barbara Barry: ‘In search of the enigma code: Beethoven’s A minor quartet op.132 and the double helix’

Joseph Sargent: ‘Howells’s depersonalised Requiem

William Hart: ‘New light on George Bridgtower’

Reviews

by Katalin Komlós, Patricia Howard, Andrew Thomson and Chris Waltonof

Peter Williams: Bach: a musical biography
Richard Kramer: Cherubino’s leap: in search of the Enlightenment moment
Chris Walton: Richard Flury: the life and music of a Swiss romantic

Raymond Holden: Barbirolli: chronicle of a career

Nigel Simeone & John Tyrrell, edd.: Charles Mackerras

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Vol 158 No 1939 Summer 2017 (On Sale 10th June 2017)

Articles

Peter Phillips: ‘Eton encounters: reflections on the Choirbook’

Donald Burrows: ‘Who was Handel’s tenor soloist in 1751?’

Ian Bartlett: ‘Blessed is he: an overlooked early anthem by William Boyce’

Arnold Whittall: ‘Questioning the sound: the music of Christian Mason’

Reviews

by Andrew Thomson, David Wright, Arnold Whittall and David Cormack of

John Carnelley: George Smart and nineteenth-century concert life
Philip Rupprecht: British musical modernism: the Manchester Group and their contemporaries
Mark Hutchinson: Coherence in new music: experience, aesthetics, analysis

Peter Edwards: György Ligeti’s Le Grand Macabre: postmodernism, musico-dramatic form and the grotesque

Rose Dodd, ed.: Perspectives on the music of Christopher Fox: straight lines in broken times

Edward Venn: Thomas Adès: Asyla

Oswald Georg Bauer: Die Geschichte der Bayreuther Festspiele

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Vol 158 No 1938 Spring 2017 (On Sale 10th March 2017)

Beethovens's op.131 - Some varieties of pastiche

Secular Byrd - Early Music Performance

Madame Zernitz - Britten's Violing Concerto

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Vol 157 No 1937 Winter 2016 (On Sale 10th December 2016)

Articles

Warwick Lister: ‘Dragonetti, Viotti and those superb sextets of Mozart’

Kris Steyaert: ‘Mozart with a French twist: “Mademoiselle Jeunehomme” revisited’

Mark S. Zimmer: ‘Liebe: the discovery and identification of a Beethoven song lost since 1822’

Andrew Thomson: ‘Berlioz and Byron in the shadow of Napoléon’s downfall: a new look at Harold en Italie’

Arnold Whittall: ‘From earlier to later Wagner: conflict and transformation’

Philippa Tudor: ‘The composer and the critic: Gustav Holst and Edwin Evans’

Veronica Mary Franke: ‘Klatzow reinvented: from modernist, non-tonal activist to tonal art-music champion’

Ömer Egecioglu: ‘A note on Heifetz’s arrangement of Rameau’s Rigaudon’

Reviews

by Patricia Howard and Geoffrey Álvarez of

Tim Carter: Understanding Italian opera
David Kimbell: Handel on the stage
Joseph Vella Bondin: The great Maltese composers: historical contexts, lives and works

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Vol 157 No 1936 Autumn 2016 (On Sale 10th September 2016)

Articles

Arnold Whittall: ‘From post-tonal to postmodern? Two string quartets by Joseph Phibbs

Robin Maconie: ‘Stockhausen’sElektronische Studien I and II’

Diego Malquori: ‘Music beyond silence: a reading of Arvo Pärt’s Credo’

Mary Cyr: ‘Marin Marais, the basse-continueand a “different manner” of composing for the viol’

Luke Dollman: ‘A gulf of difference: conducting pedagogues Ilya Musin and Jorma Panula’

Allan W. Atlas: ‘Vaughan Williams in the New York crossfire: Olin and Harold v. Virgil and Paul’

Joseph Arthur Mann: ‘Nineteenth-century music and the case of James William Davison’

Reviews

by Peter Phillips, Patricia Howard, Arnold Whittall and Andrew Thomson of

Matthias Range: British royal and state funerals: music and ceremonial since Elizabeth I

Paul F. Rice: Venanzio Rauzzini in Britain: castrato, composer, and cultural leader

Hilda Meldrum Brown: The quest for the Gesamtkunstwerk & Richard Wagner

Peter Wiegold & Ghislaine Kenyon, edd.: Beyond Britten: the composer and the community

Eric Saylor & Christopher M. Scheer, edd.: The sea in the British musical imagination

MJ Grant & Imke Misch, edd.: The musical legacy of Karlheinz Stockhausen: looking back and forward

Caroline Potter: Erik Satie: a Parisian composer and his world

Peter Dickinson: Words and music

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The Musical Times - Back Issues

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